2025 has been a historic year for Nigerian cinema with Akinola Davies Jr.’s My Father’s Shadow receiving a Cannes’ nod, being the first film ever from the country to have been given that acknowledgement.

In the same year actor and director Idris Elba debuts the short film, Dust to Dreams. The story revolves around the inheritance of an iconic nightclub situated at the heart of Lagos. Whilst the ownership lies with a terminally ill mother, uncertainty looms over the establishment’s future with the threat of sale ever-present.

The daughter who’s worked backstage shining light on talent across the country must now take up responsibility and fulfil her mother’s final wish of a performance on stage.

It is uncertain what Elba’s stance on the ownership of independent live music establishments is by the end of the film. Though it can be noted that the threat of sale arises from forces that cannot be described as solely external or internal. The threat arises from overseas diaspora being a misguided ‘trojan horse’ for foreign investors.

In this respect, Elba conveys a nuanced view of his own work in relation to promoting work in his country of heritage. He seems to conclude with a commitment of appreciating art and respecting the legacy of those who built the foundations of these institutions.

Elba told the press “This film was made because family matters and love doesn’t die.” This sentiment certainly holds.

Dust to Dreams stars the English singer, songwriter and producer Seal, as well as Nollywood stars Nse Ukpe-Etim, Eku Edewor, Atlanta Bridget Johnson and Constance Olatunde.

Private Waves is an accredited media at the 69th BFI London Film Festival.